![]() They didn't implement parameter modifications using CC or NRPNs back in the day, and sometimes not all front panel controls/edits are possible over MIDI. Note that the TX-802 (and probably a lot of other older gear) is only edited by sending MIDI sysex strings. MIDIQuest is the most mature PC/Mac based editor. It allows you to edit and save single patches and multi configurations. If you have an iPad and Lemur, I created a template for the TX-802. I've had my TX802 for a while but never really got going with it, mainly due to a lack of editor (I looked at midi quest but it was too expensive for me)Ĭould anyone help me with some advice on a editor for it and a MAC?Īlso I was looking for some patches, in particular some multi drums. Press YES, and if you are sure, press YES again." Use the ten-key pad and INT/CRT to select the destination (INT 1-2 or CRT 1-63) and press ENTER. To store the Micro Tune scale you have edited, press STORE. The resulting pitch is shown as a note number +42/-43 and also as an absolute number 0 - 10794. Select Coarse/Fine using ENTER + the cursor keys. ![]() You can move in steps of a semi-tone (Coarse) or steps of 1.1719 cents (Fine). Use the +1/-1 keys to raise or lower the pitch for each note. You can specify the pitch that will be produced for each not (C-2 to G8). Would also be open to some of the patch banks you guys had mentioned. If I changed the master tune to 431.9hz, would the micro tune be that much closer, or would it still start from 440hz? I'm assuming it will be at 431.9hz, but I could be wrong. The closest I can get it to is 431.9hz in the master tune. I got a TX-802 recently and I was wondering if anyone had any knowledge on micro tuning it in HZ? I'd like to get all the notes to 432hz if possible, as the master tune won't allow me to get to it perfectly. It is interesting but probably more useful for someone who has already gone through the Complete DX7 book. The Bristow/Chowning book approaches FM programming from a very theoretical/analytical approach. It is very practical, starting with generating basic waveforms like saws, squares and noise and outlines most of the common techniques and basic patch setups. It covers getting sounds from the perspective of someone familiar with subtractive synthesis. The Complete Dx7 book is the best book for learning to program FM. Apparently the guy who programmed these patches also wrote a book on the Dx7 but I haven't been able to find it anywhere. I think you can get them from one of the DX yahoo groups. There are some old commercial patch banks by Avic that include some really good japanese percussion stuff. There is a patch in the library called "poly800" which I use quite a lot. It has a huge library built in but unfortunately the editor doesn't work for the performance settings. Jsynthlib has great editors for the DX series synths. I don't mind editing from the Dx7 front panel (you can use the dx7 to edit the Tx816). On iPad, easily import using iCloud or the Files app.I've got a Tx816 and a Dx7. On Mac, simply drop your files into the Patch Base browser. Import sysex files: Import existing patch and bank sysex files to Patch Base.iCloud integration: Optionally use iCloud to make your patch files accessible on any iCloud-connected device, and to automatically sync files between Patch Base on Mac and iPad.Organize your sounds: Create folders to organize your patches and banks.Save your patches and banks as files on your iPad or Mac: Patch Base saves files as sysex that can be sent to your synth by Patch Base or any general-purpose sysex transfer app.You can easily save a bank to a file for back up and storage, and import entire new banks in seconds. Patch Base's Bank Editor lets you change and organize the saved sounds on your DX7. Easily edit the pitch envelope and LFO settings. ![]() Copy/paste the settings for entire operators.See the layout of the current FM algorithm, with the envelope shapes and ratio settings of each operator.You can finally visualize what's going on inside of the DX7, and once you do, it's not that complicated. Patch Base makes FM easy to work with by showing you the layout of the currently selected algorithm and the envelopes and settings of each operator. You don't have to be a wizard to program FM sounds.
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